![]() ![]() Join Songkick to track Milo Greene and get concert alerts when they play near you. Perhaps all of the creative contradictions, as well as the band's knack for crafting melodic hooks, are what still make Adult Contemporary such a compelling listen. Milo Greene On tour: no Upcoming 2023 concerts: none 87,198 fans get concert alerts for this artist. ![]() The conceptual leanings make it hard to fully embrace an album that is dichotomously full of deep, seemingly earnest emotion and arch, hold-you-at-arms-length irony. Wolves (Acoustic) by Milo Greene published on. Be Good To Me (Acoustic) by Milo Greene published on. It adds to the notion that Milo Greene, while talented songwriters, are also cheeky postmodernists. Milo Greene’s tracks Move (Acoustic) by Milo Greene published on. 2," which feature ambient soundscapes and an automated voice defining the genre "easy listening," only compound the issue. Gray Hear The Music 'What's The Matter' 'Silent Way' Buzz. Are the emotions real, or are the songs exercises in genre fluidity? Two bookend-style tracks, "Easy Listening, Pt. Listen 9:06 9-Minute Listen Playlist Download Embed Transcript Enlarge this image Milo Greene's self-titled debut comes out Tuesday. ![]() Admittedly, with two lead singers and the band's penchant for era-evoking songs, Milo Greene remain somewhat hard to gauge on Adult Contemporary. This is true even when they shift gears, moving from the tidal wave emotionality of Arnett's bass-heavy ballad "Be Good to Me" to the kinetic dance-pop of Sheetz's "Young at Heart." Elsewhere, they split the difference, harmonizing on the Kate Bush-esque "Slow" and the rootsy, country-tinged "Your Eyes." They also strike a pleasing balance on the slick, disco-imbued soft rock of "Your Eyes" and the driving "Wolves," which sounds improbably like '80s Fleetwood Mac with Johnny Marr on guitar. While that kind of shared responsibility could threaten to make the album feel disjointed, Milo Greene manage to retain a cohesive, if still stylistically varied, sound throughout Adult Contemporary. The band's first recording since the departure of co-founding member Andrew Heringer, Adult Contemporary finds the group once again splitting lead vocals and songwriting duties between singer/instrumentalist Marlana Sheetz and singer/instrumentalist Robbie Arnett. The sophomore full-length album from Californias Milo Greene, 2015s Control, provides an excellent showcase for the groups melodic and moody pop sound. For Sheetz, however, there is one aspect of local gigs that trumps all: “I love playing shows close to home.Having already moved on from their early, folk-inflected sound on 2015's Control, Los Angeles' Milo Greene further embrace a sophisticated '80s vibe on their third album, 2018's aptly titled Adult Contemporary. Although the bandmembers technically share vocal duties, much of the music here is centered around singer/multi-instrumentalist Marlana Sheetz, whose hushed, soulful voice brings to mind something along the lines of Sarah McLachlan fronting Fleetwood Mac. is exciting for the group, especially with the strong showing of fan support. The 2012 self-titled debut from California folk-pop ensemble Milo Greene is a languid, evocative exercise in harmony-infused pop. When they finally take the stage, however, they are welcomed with rousing cheers. The Pasadena crowd begins to get a little antsy, as some technical issues have delayed the Milo Greene set more than 20 minutes. We took a long time and did what felt right.” “We’ve all been part of projects that we’ve made mistakes with and didn’t love what we were doing,” Heringer admits. The self-titled album consists of songs and pieces of ideas collected by the members over the previous two years. With this momentum they will deliver their debut full-length on July 17. Patsavas, a TV and film music supervisor, placed the song “Don’t You Give Up on Me” in an episode of “Grey’s Anatomy” this last season. The buzz captured the attention of Chop Shop Records, a local subsidiary of Atlantic Records run by Alexandra Patsavas, which signed them in September. Since completing the lineup, Milo Greene self-released a 7-inch single last summer and opened for acts such as Lord Huron and Grouplove. The final piece came when Arnett invited Graham Fink, 26, to join the group. They would go on to perform together in the Andrew Heringer Band, and he introduced her to Arnett and Marrero when Links performed in Monterey in 2008. ![]()
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